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Then again, I'm one of those people who sees little point in using 96kHz for multitracking at all unless you have a world-class studio with superb acoustics and converters that cost around the same as a small car, in which case you probably wouldn't choose the Audiophile USB anyway!Summing UpOther than not getting the option to switch to surround pass-thru mode under Mac OS X, the Audiophile USB performed exactly as claimed, delivering sound quality that compared favourably with good consumer hi-fi equipment and with no glitching or other foibles.. However, the DD/DTS Pass Thru button didn't appear when I installed under Mac OS X so it may be that this feature is only available to Windows users.. At 24-bit, the number of active stereo ports is reduced from four to three, while 24-bit/96kHz operation is only possible with one stereo input or output activated.

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This setting shuts off the analogue output for bandwidth reasons but conventional stereo digital signals can still be output normally in this mode.. 2 6 Installation of the software was painless, after which all I had to do was select the Audiophile USB as the designated audio device within Logic Audio 6.. USB Audio & MIDI Interface [Mac & PC] M-Audio's Audiophile PCI card is already a popular choice for musicians needing high-quality audio I/O.. The sound quality is good, with a specified analogue dynamic range of 107dBA Having an inbuilt MIDI interface that works so transparently (and without sacrificing the ability to use the digital I/O at the same time) is also a huge plus for laptop users as is the headphone monitoring, so on the whole, the Audiophile USB delivers a practical and well-behaved solution for adding audio to slotless computers.

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Good sound quality with low latency ConsOperation at 96kHz is limited by not being able to use inputs and outputs simultaneously.. A standard USB connector is used to link to the host computer and a suitable USB cable is included.. It's less useful at 96kHz but it still works fine in this mode for editing or playback.. The limitations on I/O aren't handled as elegantly as on the Emagic EMI range of audio interfaces, where the output bit depth automatically drops to 16-bit for overdubbing when the bandwidth limitations of the configuration so dictates, but for 'real world' sample rates, the restrictions are not serious.

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Indeed, in normal operation, the latency was insignificant and could be ignored.

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Because of the bandwidth limitations of USB, not all combinations of I/O configuration, sample rate and bit depth are available, and full four-in, four-out operation is only possible at 16-bit up to 48kHz.. No adaptor cables are needed for MIDI as the sockets are the usual 5-pin DINs Additionally, there's a quarter-inch headphone out with level control, plus an output level control for the analogue phono outs, which means you could easily run this interface with active monitors while retaining physical control over the output level.. Bit depths of up to 24-bit are supported with sample rates from 8kHz to 96kHz, though there are some I/O limitations when working at high sample rates or high bit depths.. The manual also mentions DD/DTS Pass Thru, a control panel button that allows surround-encoded digital audio to be output from a suitable source such as a DVD.. A suitable surround decoder is required to make use of the DD or DTS signal at the digital output and many commercial decoders have optical digital inputs, so you may need to use an optional co-axial-to-optical converter box.

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